The "fan" of fabric behind the jewel in the Rosaline really kind of evolved from an initial idea of a fabric bow, but once I realized I hadn't cut my strip of fabric long enough I turned to some new ribbon I'd just gotten in, which happened to coordinate perfectly. I thought about doing more gold threadwork on the crown instead of the feather (like the Adele) but decided that an ostrich plume would work after all. The Rafaella obviously has the more standard construction, but I thought the color combinations with the feather and the clear jewel worked well.
Rosaline:
Like her namesake from Romeo and Juliet, the Rosaline is beautiful with just a touch of haughtiness, always just out of reach while remaining impeccably garbed in rich claret-colored velvet and brocade, wrapped with brass filigree, and dazzling with a glowing topaz-colored acrylic jewel. Dramatic folds of fabric rise above the central stone, crowned further with a nodding ivory ostrich plume, as glass pearls and tiny rhinestones in diamond and ruby-red accent the intricate filigree embellishments. If Shakespeare's Rosaline had been wearing this little number, Romeo would never have dumped her for Juliet in the first place...
Rafaella:

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